Joyce Wieland, 1975, English, 105 min, colour
The
Far Shore is a consummate expression of Joyce Wieland’s artistic sensibility,
a gorgeous painterly film, formal in conception, deliberate in its flagrant
symbolism (the rigid imposition of WASP power on French-Canadian culture)
and portrayal of Canadian myths (the mystery of Tom Thomson’s drowning
in Algonquin Park), and exuding romantic naturalism. This northern love
story, rooted in the landscape of the Group of Seven and the realities of
the Canadian experience, is a tale of passion both carnal and artistic.
"I think of Canada as female. All the art I've been doing or will be doing is about Canada. I may tend to overly identify with Canada." — Joyce Wieland.
“The Far Shore is ... symbolically, a story about Quebec culture
overwhelmed by the brute power of English Canada. On the level of subject
matter and symbolism, this may be the most densely Canadian movie ever made."
— Robert Fulford, Globe and Mail, 1997.
Three Canadian Film Awards – Supporting Actor (Frank Moore), Art Direction (Anne Pritchard), and Cinematography (Richard Leiterman).