Norman McLaren, Evelyn Lambart, Claude Jutra, 1957, Silent, 10 min 5 sec, bw
This
directorial collaboration of three of the geniuses of the NFB is a surrealistic
fable without words told through the pixillation stop-action technique.
In it, Jutra tries to sit on a chair (animated by Evelyn Lambart) that declines
to be sat upon, until.... The moral of the story recalls Aesop, but the
wit and marvellous sense of timing are all McLaren. This experimental short
shows the daring and originality already present in Jutra’s work by
the late 1950s. Music by Ravi Shankar and Chatur Lal.
Claude Jutra declared "McLaren is a blend of art, science, technique, and emotion. He is total creation." Jutra acted in and co-directed this film that McLaren shot partly with pixillation and partly at 12 frames a second. In this film, Jutra performed a sort of pas de deux with a chair, the movements of which implied it had feelings. This experience was a powerful one for him: "I passionately admire McLaren, Chaplin, and Renoir. That is my pantheon!" [source].
A Chairy Tale won a Canadian Film Award for Best Arts and Experimental Film, as well as a BAFTA Special Award, and earned an Academy Award nomination for Live Action Short Subject.